The best things to do in Hong Kong today

M+ in West Kowloon Cultural District is honouring the late Ryuichi Sakamoto with a museum-wide programme from now until July. Comprising a site-specific installation, moving image works, a listening experience, and film, ‘Seeing Sound, Hearing Time’ celebrates the enduring legacy of the Japanese composer, producer, and artist. ‘Async–Immersion’ presents a three-dimensional, audio-visual representation of Sakamoto’s personal album, combining sonic experience with optical immersion. Nam June Paik’s ‘All Star Video’ explores Sakamoto’s influences and creative encounters, while ‘Vinyl Sessions with Music by Ryuichi Sakamoto’ allows visitors to engage with his compositions, alongside reflections on his work from three Hong Kong-based sound artists. Additionally, ‘Ryuichi Sakamoto: Music in Film’ will screen two films to allow for an intimate look into Sakamoto’s life, profound artistry, and innovative creative process.

In a landmark collaboration between the Hong Kong Palace Museum (HKPM) and the Supreme Council of Antiquities (SCA) of Egypt, 250 treasures and relics from the land of the Pharaohs will be on display in Hong Kong for nine and a half months. Named ‘Ancient Egypt Unveiled’, this exhibition is the largest, most comprehensive, and longest-running display of ancient Egyptian artefacts Hong Kong has ever seen, displaying archaeological finds loaned straight from Egypt, many of which are being shown outside of their home country for the very first time. Some of our favourite highlights include a set of canopic jars used to store internal organs in the mummification and burial process; statues of the female pharaoh Hatshepsut and Rameses II; painted coffins of wood and stone; a Book of the Dead papyrus scroll; and even an ancient Egyptian toilet seat. Swing by the gift shop to find a wide range of Egypt-related merch, including an adorable series of blind box plushies created by HKPM which depict pharaohs, canopic jars, mummies, and more.

For art lovers who simply cannot get enough of Chinese-French printmaking legend Zao Wou-ki, this major retrospective of the artist’s graphic works at M+ is not to be missed. Highlighting key pieces from Zao’s decades-long career, ‘Zao Wou-ki: Master Printmaker’ collects close to 180 items from 1949 to 2000, including paintings, books, and prints, to introduce new perspectives on his career, artistic process, and creative thinking. ‘Encouraging Printmaking’ reveals Zao’s early encounters with the bold medium, ‘Towards Abstraction’ records his experimentation phase marked by expressive techniques, and ‘No Boundaries’ presents a body of mature pieces that blend Eastern and Western artistic traditions. Alongside these central themes, the exhibition format will also serve to inform visitors about the art of printmaking – the Open Print Studio at M+ is offering interactive printmaking workshops for visitors to simply drop in on weekends to take part in lessons.

M+ and Leeum Museum of Art are teaming up to present a comprehensive exhibition featuring the groundbreaking works of influential South Korean contemporary artist Lee Bul. More than 200 pieces will be shown, spanning the artist’s career from the late 1990s to the present to trace the evolution of Lee’s artistic approach. Split into three sections, ‘Lee Bul: From 1998 to Now’ interrogates ideas of utopian and dystopian existence, the relationship between body and technology, and Lee’s creative process. M+ Cinema will also screen a number of Lee’s performance works during the exhibition period. ‘Lee Bul: From 1998 to Now’ opens on March 14 and will be commemorated with a talk at the Grand Stair; Lee herself will be present to speak about her artistic vision.

Lane Crawford continues its celebration of exquisite craftsmanship with ‘HUNDRED – A Curation of Ceramics by 50 Hands’. Building on the success of the previous ‘HUNDRED’ series from 2023, which focused on chairs, this ceramics edition showcases the collaborative curation efforts of American ceramics expert Robert Yellin and local artist Leo Wong.  Open to visitors at Lane Crawford Pacific Place, the shoppable exhibition features 100 handcrafted ceramic pieces from 29 artists, showcasing timeless artistry through 21 ceramic techniques, including neriage, kinrade, inlay, shigaraki-yaki, and more. Don’t miss highlight pieces such as the Tanba Vase, the Vase Celadon, and the White Drip Glaze Vase, each one a collector’s item that preserves skills passed down through generations.

The golden age of Hong Kong cinema saw the production of blockbuster titles like A Better Tomorrow (1986), The Conman (1998), and Infernal Affairs (2002). Packed with action, suspense, and good ol’ “nonsense” humour, these iconic crime films not only offer gripping stories but also capture the essence of life in 70s and 80s Hong Kong. Now, cinephiles can relive their favourite scenes from these classics at the Old Yau Ma Tei Police Station. ‘Yau Ma Tei Police Station: A Cinematic Journey’ delves into local cop film classics through reconstructed sets, collectibles, original scripts, and much more.  This nostalgic exhibition is now open at the Old Yau Ma Tei Police Station, 627 Canton Road, Yau Ma Tei. Tickets are priced at $30 per person, with concessionary tickets available at $10 per person. Children aged six or below can enter the exhibition for free. Make sure to book your tickets online at cultural.cityline.com, as there will not be tickets onsite. Find out more at fpf.ccidahk.gov.hk. 

Hong Kong’s ‘Grande Dame’ unveils the lineup for its ‘Art in Resonance’ programme this year, inviting leading artists Angel Hui, Albert Yonathan Setyawan, and Dr William Lim to transform the hotel with their creative practices. Coinciding with Hong Kong Arts Month, the site-specific commissions span embroidery, ceramics, and architectural installation. Hui brings Chinese gongbi-style delicacy to a vibrant façade artwork of embroidered goldfish. ‘Swimming in Light’ takes over the first-floor windows of the hotel to welcome guests and visitors in a playful, poetic manner. Setyawan’s ‘Metamorphic Modulation’ presents repeated forms painstakingly handcrafted through modelling and casting to investigate its sculptural effect and the beauty of raw colour and texture. Lim’s live-in-environment installation is based on his ‘A Bright Future’ oil piece, translating the artwork into a large-scale, hand-tufted tapestry that challenges dimensional awareness.

Pakistani-American artist Shahzia Sikander presents her latest commissioned work at M+ Façade, exploring the historical traces of power and trade and their entanglement through a cinematic tableau of hand-painted animations. ‘3 to 12 Nautical Miles’ follows the maritime trail that linked the British East India Company, Mughal-era India, and Qing-dynasty China, examining the connections between empires and complex dynamics. Sikander’s practice brings the art of miniature painting to the big screen, allowing the medium to communicate to audiences on a different scale. Painted gestures, objects, and symbols are magnified through animation, revealing the nuanced history of the region. On March 26, the artist herself will lead a free illustrated lecture about the artwork at 5pm.

The Hong Kong Space Museum has launched a new 3D dome show catered to little Einsteins and space-loving adults. ‘The Great Solar System Adventure 3D’ replaces their previous programme exploring the Arctic wilderness with an immersive, interstellar voyage. The show will run until October 14, 2026, with screening times at 2pm and 6.30pm on weekdays, 12.30pm and 5pm on weekends and public holidays at the Space Theatre. Tickets are priced from $15 to $40 per person.

‘The Hong Kong Jockey Club Series: The Art Plaza Project at the Hong Kong Palace Museum’ is a multimedia initiative that takes traditional Chinese garden aesthetics as the main inspiration. The project features large installations by five local artists and an architect, each creative bringing a unique contemporary interpretation of traditional zen garden elements to the showcase, where iconic pavilions, flowing water, and aesthetic rock formations are reimagined with materials found in our bustling city, such as bamboo, metal, and fabric.  This exhibition will be open to the public until November 2, 2026 at the Museum Plaza at the Hong Kong Palace Museum. Entry is free of charge during the museum’s opening hours.