Two e-bikes sit by the path in Camberwell Green
Photograph: Chris Bethell for Time Out
Photograph: Chris Bethell for Time Out

Things to do in London today

The day’s best things to do all in one place

Rosie Hewitson
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Monday 12 January: We’re almost halfway through January, the temperature this week looks set to climb to a positively balmy 12°C, and London is slowly starting to come back to life after a sleepy couple of weeks at the start of the new year. Still not convinced it’s worth climbing out from under your heated blanket? Use your downtime to start planning a year to remember with the help of our 2026 preview, featuring loads of unmissable art, theatre, cinema, music and things to do coming up over the next twelve months.

Got a few hours to kill today? You’re in luck. London is one of the very best places on the planet to be when you find yourself with a bit of spare time.

In this city, you’re never too far away from a picturesque park, a lovely pub or a cracking cinema, and on any given day, you’ve got a wealth of world-class art shows, blockbuster theatre and top museum exhibitions to choose from if you’re twiddling your thumbs.

Use your spare time wisely with our roundup of the best things happening in London today, which gets updated every single day and includes a specially selected top pick from our Things to Do Editor seven days a week.

Bookmark this page, and you’ll have absolutely no excuse to be bored in London ever again!

Find even more inspiration with our curated round-ups of the best things to do in London this week and weekend

More things to do in London today

  • Things to do
  • Exhibitions
  • South Kensington
Known for her surreal and avante garde haute couture creations – often with striking silhouettes, gilded accents, and unusual appliqués – the groundbreaking fashion designer Elsa Schiaparelli is the subject of a first UK exhibition at the V&A in 2026. The spring exhibition will trace the origins of the house, from its first, paradigm=shifting garments, through to its present-day incarnation in the hands of its creative director Daniel Roseberry, whose contemporary designs worn by the likes of Kylie Jenner and Bella Hadid have seen gowns adorned with faux-taxidermy lion heads, and a lung dress fashioned from a delicate network of golden veins. 
  • Things to do
  • Exhibitions
  • Battersea
After a five-year-long world tour, this blockbuster exhibition on the ancient Egyptians is finally arriving in London. Ramses and the Pharaoh’s Gold will display 180 priceless treasures on loan from the Supreme Council of Antiquities, of which the pinnacle is the coffin of Ramses II, giving Londoners the chance to see an original sarcophagus here in the Big Smoke. Other gems on show will include gold masks,  silver coffins, animal mummies, amulets, jewellery and colossal sculptures. Although superficially sounding quite similar to the recent Tutankhamun immersive exhibition, this one seems a lot more based around Ancient artefacts, with none of the fanciful CGI frippery that’s come into fashion in the world of international touring exhibitions the last couple of years.
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  • Things to do
  • Exhibitions
  • King’s Cross
Awaken your inner child by delving into enchanted lands, magical creatures and timeless tales at the British Library’s interactive family-friendly exhibition. All the bangers from your childhood will be explored – from Goldilocks, to Aladdin – through books, artworks, interactive displays, theatrical design, story sharing spaces, costumes and activities. Opening in time for the Easter holidays, Fairy Tales is ideal for passing a few hours with the little’uns. 
  • Things to do
  • Exhibitions
  • Waterloo
  • 4 out of 5 stars
  • Recommended
Opening in time for Spooky Season and running through to May 2026, ‘Dark Secrets’ is a massive new exhibition of esoteric artefacts in Waterloo’s appropriately dingy Vaults – and a cracking day out for anyone into the occult, macabre or bizarre. A sprawling labyrinth of 27 rooms, ‘Dark Secrets’ is fundamentally an exhibition of stuff: more than 1,000 individual artefacts, many of them (apparently) displayed for the first time outside of private collections. Ritual masks, cursed dolls, leather-bound Renaissance books on witchcraft, a fragment of Aleister Crowley’s Thelema temple… if your idea of fun is gawping at weird and creepy shit (and mine certainly is), there’s a lot of it here – and it’s a refreshing change from the wave of immersive ‘exhibitions’ which often don’t amount to much more than a blank room with some projectors in. There is a vaguely chronological structure, running from Celtic druids through to the influence of the esoteric on Hollywood and comics. Horror-movie fans, look out for the original screenplay of Suspiria signed by Dario Argento. Along the way there are rooms dedicated to folkloric creatures, shamanism, voodoo, zombies, satanism, spiritualism, witch trials, Freemasonry, curses, miracles, divination, astrology, tarot… it’s like an occult bookshop brought to life. My favourite item in the show was an (ostensibly genuine) Victorian vampire-hunting kit. But I was also fascinated by a room about the collision of technology and science with the...
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  • Things to do
  • Games and hobbies
  • South Kensington
This review is from 2023. Power Up prices have gone up slightly and the games are changed occasionally. There's been a gaping chasm, an unfillable abyss, in London's recreational heart ever since the Trocadero finally closed its doors in 2011. It has left the city crying out for an arcade experience, somewhere to go and lose yourself in gaming. And now, Power Up is here to answer all of your RPG prayers. Admittedly, it doesn't have a rocket-shaped escalator or countless dark corners for snogging, but what it does have is bank after bank of classic videogames.They've made an attempt at education with a wall of consoles from throughout history, from the Amiga to the Xbox, but you can ignore all that if you want and just concentrate on turning your eyes square. Everything here is grouped by theme. There's a Mario section and a Sonic section, a rhythm action game bit and a VR gaming bit, there's 16-player Halo and solo Tony Hawk's Pro Skater. There are PC games and handheld consoles, Gamecubes and Megadrives. Want to save Lemmings? Race Micromachines? Fight the Empire? It's all here.If it seems a bit familiar, it should be: Power Up isn't new. The Science Museum did a version of this for Easter half-term every year for a while, but this new version of Power Up is permanent and costs just £10 to access for unlimited, all-day gaming. But even better than that, you can get an annual pass for £15. That's a hell of a lot cheaper than having to invest in a new Playstation, plus you...
  • Things to do
  • Exhibitions
  • Bloomsbury
  • 4 out of 5 stars
  • Recommended
Britain and Hawaii have a complicated history marked by surprisingly cordial relations in the face of considerable adversity.  Captain Cook famously met his end in a skirmish on Hawaiʻi Island in 1779. Then, almost 50 years later in 1824, King Kamehameha II and Queen Kamāmalu – monarchs of the now united archipelago – came to London on a diplomatic mission to shore up support from the Empire. Tragically, they both died of measles while waiting for an audience with George IV. But the visit went well diplomatically. After a rogue British captain seized control of the islands for five months in 1843, the Royal Navy booted him out and restored sovereignty (though Queen Victoria sort of shrugged helplessly when asked for help following Hawaii’s annexation by the Americans in 1893). This is all by way of say that Britain had as close a relationship with the Kingdom of Hawaii as anyone during its 98-year existence, and this led to a relatively large amount of cool Hawaiian stuff being acquired by the British Museum and Royal Collection over the years: some of it, inevitably, under shady circumstances, but for the most part accumulated by trade or as lavish royal gifts. And it also means there’s a good story: new exhibition Hawaiʻi: a Kingdom Crossing Oceans does offer some background on the archipelago’s pre-monarchical past and American future, but it largely focuses on relations between our two kingdoms and the ill-fated royal visit.  There’s plenty of fascinating stuff here,...
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  • Things to do
  • Exhibitions
  • South Kensington
A new free photography exhibition illustrates the beauty and fragility of the Pantanal – the world’s largest wetland that sprawls across Brazil, Bolivia and Paraguay. Over 60 images, captured by two of Brazil’s leading documentary photographers, will be displayed. Visitors will discover the Pantanal’s wonderful biodiversity – which includes jaguars, howler monkeys, caiman and marsh deer – alongside the ravages of wildfires and deforestation. 
  • Things to do
  • Exhibitions
  • South Kensington
Wonderlab at the Science Museum
Wonderlab at the Science Museum
Arguably the one thing missing from the main body of the Science Museum is the opportunity to do any actual science. But that’s what the Wonderlab is for, a kiddie nirvana of safe, repeatable experiments that run the gamut from exploring friction via a series of slides with differeremt surfaces, to the opportunity to do some pretty wild things with fire, electricity and magnets. Get stuck into the interactive exhibits or time your visit to take on the oft explosive daily shows and demonstrations. It’s recommended for ages seven to 14 and booking in advance is highly advised. Althought it’ll set you back a bit, the exhbition would be swamped if it was open access, and if you think there’s any chance you’d go two or more times in a year then the annual memberships are excellent value.
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  • Things to do
  • Exhibitions
  • Kensington
Fashion brands at the pinnacle of hype culture – think A Bathing Ape, Kenzo and Human Made – will get a look in at the Design Museum in an exhibition dedicated to Japanese designer and OG hypebeast NIGO. Through more than 700 objects, with 600 from NIGO’s personal archive, the exhibition will follow the designer’s career from Harajuku to Paris and will inlcude rarely before seen BAPE fashion and a recreation of NIGO’s teenage bedroom. Brands to feature will include Nike, Pepsi, Louis Vuitton, Snoopy, Uniqlo, Nintendo, Sesame Street and Disney. 
  • Things to do
  • King’s Cross
It might be a decade since Bowie’s passing, but the appetite for works by and about the musical icon shows no signs of stopping. This new immersive film is the latest show at Lightroom, and it's a dive into his story that's fully authorised by the David Bowie estate. Instead of narration, it'll be told fully using voice clips from the man himself, as well as footage from the Bowie Archive in New York. It'll be told in Lightroom’s signature style, which involves ultra high-powered projectors covering the walls, ceiling and floor with vivid imagery. It’s directed by Mark Grimmer, who led the design of the V&A’s David Bowie Is exhibition and went on to direct David Hockney: Bigger & Closer. Like all Lightroom shows, it’s designed to play on loop, and will be divided into themed sections including ‘theatricality, spirituality, songwriting and the transformative power of creativity’.

Theatre on in London today

  • Drama
  • Covent Garden
It’s been years since a David Hare play went to the West End – so in 2026, naturally, there are two of them. Over at the Theatre Royal Haymarket his latest Grace Pervades will star his regular collaborator Ralph Fiennes. And at the Duke of York’s one of his oldest plays – dating back to 1975 – will star an unexpected newcomer. Rebecca Lucy Taylor - aka sardonic pop star Self Esteem – did do a stint in the West End’s Cabaret a couple of years back, but she's never been in a straight up play (or, for what it's worth, had to face theatre critics before).  You probably wouldn't have put money on her drama debut being in a Hare play. But actually Teeth 'n' Smiles makes perfect sense for her, being a late ’60s-set drama that concerns Maggie Frisbee, an embittered, alcoholic rock star left raging and washed up at the end of the decade. The role was originated by a young Helen Mirren – who based her performance on Janis Joplin – and in that context it’s not hard to see why Taylor might have been intrigued. Plus! There are songs for Maggie to perform, originally written by Nick and Tony Bicât, but with new contributions from Taylor herself.  It’ll be directed by Daniel Raggett, who did such an excellent job with West End hit Accidental Death of an Anarchist a couple of years back. Taylor is joined by a large cast that includes the great Phil Daniels as Sarrafian.
  • Musicals
  • Covent Garden
  • 4 out of 5 stars
  • Recommended
This review is from 2023. SplitLip’s delightful spoof WW2 musical has been heading inexorably for the West End for something like five years now. It’s a fringe theatre comet that’s gathered mass and momentum via seasons at the New Diorama, Southwark Playhouse and Riverside Studios, and has now made impact in Theatreland – wiping out a West End dinosaur to boot, as it displaces ‘The Woman in Black’ after over 30 years at the Fortune Theatre. And it’s really hard to be anything but delighted for the company, which consists of David Cumming, Felix Hagan, Natasha Hodgson and Zoë Robert. All bar Hagan perform in the show, with Claire Marie Hall and Jak Malone rounding out the cast. This is very much their triumph. And though it’s been redirected for the West End by Robert Hastie, ‘Operation Mincemeat’ is at heart the same show it always was. There are no added backing dancers or bombastic reorchestrations. It’s slicker and bigger in its way, but still feels endearingly shambolic where it counts. It’s a very larky account of the World War 2 Operation Mincemeat, a ploy from British intelligence to feed the German army disinformation via a briefcase of false war plans strapped to a corpse that they hoped to pass off as a downed British pilot (yes, there was a recent film with exactly the same name, about exactly the same thing, and yes they do make a joke about this). The story centres on Charles Cholmondeley (Cumming), the socially inept MI5 operative who dreams up the plan, and...
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  • Shakespeare
  • Leicester Square
West End Shakespeare in the post-pandemic era is almost exclusively the preserve of just two auteur Brit directors: Jamie Lloyd and Robert Icke. And who can complain about that – Lloyd’s flamboyand reimaginings and Icke’s rigorously intellectual – but always moving – interrogations cover pretty much all the bases not already covereed by the copious other outlets for the Bard’s work in London.  Icke has in fact already directed Shakespeare’s great romantic tragedy Romeo & Juliet – it was the one time prodigy’s first ever professional show, a 2012 production for Headlong. A lot has happened since then, though contemporary reviews were glowing and many Icke-ian conceits – notably a ticking clock, which the cast manipulated – were already in place. So maybe it’ll share something with it, though there’s a totally different creative team and Icke’s restless intellect is liable to have drifted on to other aspects. What we can definitely say is it has some pretty damn heavyweight lead casting in the form of Stranger Things star Sadie Sink as Juliet. Despite being just 23, she’s racked up a decent number of Broadway performances: as a girl the flame-haired performer spent years in Annie, and her return to the stage post fame came with 2025’s hipster smash John Proctor is the Villian. This will, however, be her first stab at Shakespeare. She’ll be joined by Noah Jupe as Romeo. He is less well-known but his face might be familiar: he played middle child Marcus in the Quiet Place...
  • Drama
  • Charing Cross Road
  • 4 out of 5 stars
  • Recommended
This review is from Inter Alia’s National Theatre premiere in July 2025. In March 2026 it will transfer to the West End, with Pike again leading the cast. Playwrights usually want to flex their range after their first big hit. But it’s to the credit of Suzie Miller that she cares so much about the issues explored in her smash Prima Facie that she’s come up with a follow up that you have to at least describe as ‘a companion piece’.  Both Prima Facie and Inter Alia are named after legal terms, both are about high-achieving female members of the legal profession, and while Prima Facie was a monologue and Inter Alia is a three-hander, both have a huge-scale female role at their centre that makes them the perfect vehicle for a screen star looking to scratch the stage itch. And so both have had Justin Martin-directed UK premieres starring major celebrities: Jodie Comer made her stage debut in Prima Facie, while Rosamund Pike treads the boards for the first time in years in Inter Alia. The most crucial similarity, however, is not entirely apparent from the first half hour or so of Inter Alia, which is basically an extended sequence of Pike’s high court judge Jessica frenziedly girlbossing as she juggles her extremely high-powered job with a busy social life and being a mum to vulnerable teen Harry (Jasper Talbot). It’s a breathless performance from Pike, who crests and surges from neuroticism to icy confidence. It’s draining: there’s barely room for us or her to breathe, and a...
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  • Musicals
  • Victoria
  • Open run
  • 5 out of 5 stars
  • Recommended
Hamilton
Hamilton
This review is from 2017. See official website for the current cast. Okay, let’s just get this out of the way. ‘Hamilton’ is stupendously good. Yes, it’s kind of a drag that there’s so much hype around it. But there was a lot of hype around penicillin. And that worked out pretty well. If anything – and I’m truly sorry to say this – Lin-Manuel Miranda’s musical about Alexander Hamilton, the first secretary of the US Treasury, is actually better than the hype suggests. That’s because lost in some of the more waffly discourse around its diverse casting and sociological import is the fact that ‘Hamilton’ is, first and foremost, a ferociously enjoyable show. You probably already know that it’s a hip hop musical, something that’s been tried before with limited success. Here it works brilliantly, because Miranda – who wrote everything – understands what mainstream audiences like about hip hop, what mainstream audiences like about musical theatre, and how to craft a brilliant hybrid. Put simply, it’s big emotions and big melodies from the former, and thrilling, funny, technically virtuosic storytelling from the latter. ‘Alexander Hamilton’, the opening tune, exemplifies everything that’s great about the show. It’s got a relentlessly catchy build and momentum, a crackling, edge-of-seat sense of drama, and is absolutely chockablock with information, as the key players stride on to bring us up to speed with the eventful life that Hamilton – the ‘bastard, orphan, son of a whore and a...
  • Drama
  • Isle of Dogs
  • 3 out of 5 stars
  • Recommended
The big question with adapting The Hunger Games for the stage is that is it not totally nuts to adapt The Hunger Games for the stage? A substantial proportion of Suzanne Collins’s smash 2008 YA novel is set during the titular Games, which are a sort of gladiatorial reality TV contest in which heavily armed teens murder each other until there’s only one left,  Historically this sort of thing is not theatre’s strength. A cheeky duel, absolutely. But a half-hour plus nonstop combat sequence featuring 24 fighters and multiple sub-locations is… tricky. And to their credit, director Matthew Dunster and a top-notch creative team do a pretty damn good job of finding a way forward, deploying aerial work, pyro, video screens, some tightly drilled choreography, the odd song and a highly mobile, rapidly changing set from Miriam Buether to create a sequence that’s coherent and gripping, even if it’s hard to really hand on heart say this is as effective a representation as in the beloved Jennifer Lawrence film (as much as anything, without close ups it’s tricky to follow who all the minor characters are). But it’s solid, and I found it hard not to admire the quixotic but skilled attempt to translate something so action-packed to the stage. A hybrid of The Running Man and The Devil Wears Prada Dunster is not a subtle director, and in many ways that suits Collins’s novel. He picks out the themes of class oppression between the gaudy dandies of the Capitol and dirt poor folk of District 12...
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  • Drama
  • Aldwych
  • 3 out of 5 stars
  • Recommended
I genuinely don’t think I’ve ever heard proper walk-on applause in this country before. But the Shadowlands audience erupted as soon as star Hugh Bonneville walked out on stage. Either our stiff upper lipped standards are slipping, there were a load of Americans in, or Bonneville fans are simply very, very thirsty people. Of course I choose to believe the latter, and it’s emblematic of Bonneville’s peculiarly English middle aged charm that the role that’s getting his base so hot under the collar is that of the extremely low thirst CS Lewis. A revival of Wiliam Nicholson’s 1989 play, Shadowlands stars Bonneville as the devoutly Christian Chronicles of Narnia author, and traces his real life romance with the younger American poet Joy Davidman. And it’s largely delightful, not an odd couple meet cute, but a story about a genuine, real connection between two somewhat lost souls. He is a man in his late fifties who lives a life of scholarly bachelorhood, in rooms he shares with his doddery older brother Major WH Lewis (Jeff Rawle). But Lewis – or ‘Jack’ to most people, though his real name was Clive – is also kind and amusing. He’s hardly a monk, and indeed we learn that his inability – or lack of desire – to form attachments with women can in part be traced to trauma at the early death of his mother. Maggie Siff’s Davodman is self-possessed and fiercely intelligent. She is brave but vulnerable, travelling the world with her sweet young son Douglas, her promising start as a...
  • Drama
  • Waterloo
The first major London revival for the stage version of Ken Kesey’s countercultural classic in over 20 years comes this spring, as Clint Dyer directs Aaron Pierre and Giles Terera as two inmates of a hellish psychiatric ward. Published in 1962, Kesey’s darkly comic satire on psychiatry and institutionalisation was quickly adapted into a 1963 play that starred Kirk Douglas as Randall P McMurphy, a rebellious prisoner who makes the mistake of faking insanity, believing he’ll have an easier time of it in a mental hospital (Jack Nicholson famously starred in the 1975 film as Douglas was too old old for the role by the time it finally got made). Pierre – best known for his role in Netflix hit Rebel Ridge – will star as McMurphy, with Olivier winner Giles Terera as his fellow inmade Dale Harding. The rest of the casting is TBC, though it’s interesting Dyer has cast two Black actors as inmates and that he’s said he wants to pick up on the novel’s ‘conversation on colonialism and identity’. There are certainly plenty of juicy roles up for grabs, notably the vile Nurse Ratched.
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  • Drama
  • Seven Dials
  • 4 out of 5 stars
  • Recommended
A fascinating feminist hybrid of EastEnders, Samuel Beckett and Wolf Hall, Ava Pickett’s 1536 is set in some marshland on the outskirts of an Essex village in – you guessed it – 1536, the year Anne Boleyn was executed.  Not that this is a by-the-numbers Tudor drama: the story focuses on three young women – Jane (Liv Hill), Anna (Sienna Kelly) and Mariella (Tanya Reynolds) – who never come within a sniff of the royal family. They see the monarchy as an important but distant constellation: in the opening scene Hill’s innocent Jane struggles for Henry VIII’s name beyond ‘the king’. The engine of the play is Pickett’s superb dialogue and the sweary, lairy modern-language chats had by the women in the trampled bulrushes of Max Jones’s set.. Hill’s Jane is an adorable naif, Reynolds’s midwife Mariella is gawkily sarcastic. Each has their own complicated relationship with men in the village. But it’s Kelly’s Anna who is effectively the lead: beautiful and poor, she is deserted and scorned by the townsfolk, especially her wealthy lover Richard (Adam Hugill), who at the start of the play we discover is set to be married off to Jane. It begins as a funny, even goofy, drama. Three Tudor women, effing and blinding away in an Essex field, using language that would make Danny Dyer blush is inherently funny, as is the fact that each of the early scenes begins with Anna and Richard going at it hammer and tongs in the reeds. But things start to curdle: aside from various village tensions...
  • Musicals
  • Waterloo
This is an undeniably boldly followed through piece of wordplay: Ancient Grease is a new musical parody that remakes beloved musical Grease as a queer comedy set amongth the gods of Mount Olympus. To be honest it’s a set up that raises more questions than it answers: does the show – written by Lady Aria Grey and directed by Dan Wye – use any of the original songs? If not, does the plot of an ironic retro-’50s musical really mesh with the antics of the Pantheon? The bottom line is that the adult-only show sounds like a good laugh, although it’s hard to imagine it not being on the trashier end of the spectrum.

Exhibitions on in London today

  • Museums
  • South Kensington
This renowned annual photography exhibition returns to the Natural History Museum for its 61st edition, showcasing the very best entries of the Wildlife Photographer of the Year competition. On display are images of the most extraordinary species on the planet captured by professional and amateur photographers. This year’s entries are TBA right now, but the winners are reliably spectacular – pictured is last year’s champion Shane Gross, whose mesmirising underwater shot of western toad tadpoles involved snorkelled for hours in a lake on Vancouver Island, making sure not to disturb fine layers of silt and algae at the bottom. Don’t miss what is always a highlight in the NHM’s calendar.
  • Art
  • Trafalgar Square
Things tend to look different in the glow of candlelight, whether that’s the curious faces of people or stony sculptures sitting spectre-like in the shadows. It’s a phenomenon that Joseph Wright of Derby interrogates in the pieces displayed here – the first major exhibition dedicated to his candlelight paintings – questioning what we see and the act of looking itself. Submerging his work in darkness, he explores themes like death, morality and scepticism in a way that challenges more typical views of his output as a painter.
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  • Art
  • Pop art
  • Barbican
  • 4 out of 5 stars
  • Recommended
In a season of London exhibition openings dominated by major retrospectives of trailblazing female artists, the Barbican’s Beatriz González show is an extremely worthwhile addition. Known to many in her home country of Colombia as ‘La Maestra’, González is considered to be one of the most influential artists to come out of Latin America, and this vast collection of over 150 works spanning her six-decade-long career leaves you with no questions as to how she garnered such a reputation. Though she herself rejected the label, González has often been associated with the Pop Art movement, and there is a Warholian quality to much of her work, which uses images of figures from mainstream media and pop culture as subjects, ranging from Queen Elizabeth II to Jackie Onassis to Botticelli’s Venus. González paints these icons in a two-dimensional style, in typically bright, vibrant block colours that feel reminiscent of the Factory kingpin’s cartoon-like screen prints of Marilyn Monroe and Debbie Harry.  Where the painter distinguishes herself from Pop Art figuresheads is the often deeply political nature of her work, which she used to comment on and criticise the pervasive violence and corruption in her country. Her 1981 piece ‘Decoración de interiores (Interior Decoration)’ sends up then-president Julio César Turbay’s image of excess and frivolity in stark contrast to the violent regime he oversaw, portraying him at a lavish party. The work was originally printed on a strip of...
  • Art
  • Bankside
  • 5 out of 5 stars
  • Recommended
A stroll through Tracey Emin: A Second Life is an evocative experience. Positioned as a 40-year retrospective through the pioneering artist’s vast and varied repertoire, the show lays bare Emin’s life through her distinct and often unsettling art, from career highs – such as the iconic, Turner Prize-nominated ‘My Bed’, which is every bit as shocking and moving today as it was in 1998 – to stark personal lows in work depicting her experiences with sexual violence, abortion and recent life-threatening illness. As you can imagine, with such subject matter, it is not always a comfortable experience for the artist and the viewer alike. However, Emin’s flair for dark comedy adds moments of levity throughout. The second room of the exhibition features a large-scale projection of a work on video entitled ‘Why I Never Became A Dancer’. It begins with the artist recalling an incident in her youth when she entered a local dance competition only to run off stage mid-performance when a group of men with whom she’d previously had sexual encounters chanted ‘slag’ at her until she could no longer even hear the music. The film ends with a sequence of Emin dancing, totally uninhibited, to the disco classic ‘You Make Me Feel (Mighty Real)’ by Sylvester, and the work is dedicated to each of her aggressors, calling them out by name. It is the perfect encapsulation of both Emin’s defiant approach to life and her ability to turn traumatic experiences into mesmerising art. Longform video is an...
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  • Art
  • Photography
  • Charing Cross Road
  • 4 out of 5 stars
  • Recommended
The National Portrait Gallery is as much a monument to national identity as it is an art gallery. Walk through its hallowed halls, and you’ll witness royals and politicians rendered in rich oil paints, celebrated actors and great thinkers captured by history’s leading artists, athletes and rock stars peering across the room at one another from gilded frames. It’s an education in our collective understanding of British life, culture and history. But who isn’t here? Who doesn’t get to shape the version of the nation’s identity on display to the thousands of tourists, school groups and art lovers who parade through these grand rooms every day? That question is central to the work of American photographer Catherine Opie, whose exhibition, To Be Seen, is currently installed on the second floor of the gallery. Securing Opie’s first major UK exhibition feels like a coup for a gallery that has clearly taken pains to shake off its stuffy image in recent years and is lent an air of transgressive cool by the cult photographer. And fortunately, it turns out that putting her oeuvre in direct conversation with the largest collection of portraiture in the world works wonders. Not only does Opie's work serve to challenge visitors’ ideas about who belongs on the walls of this historic institution, but it also brilliantly elucidates the artist’s Baroque and Renaissance references.  Visitors entering the exhibition are met with the piercing gaze of actor Daniela (now Daniel) Sea, best known...
  • Art
  • Soho
Get a glimpse of the hidden lives of queer people in midcentury New York at this intimate exhibition. Before homosexuality was legalised, Donna Gottschalk photographed the people she described as ‘brave and defiant warriors’ for daring to live openly as themselves, and take part in the emerging lesbian, trans and gay rights movements. This Photographers Gallery exhibition of her work puts her images in conversation with texts by writer Hélène Giannecchini, who is decades her junior, creating an intergenerational dialogue charting changing times. 
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  • Art
  • Digital and interactive
  • Hyde Park
Everybody loves David Hockney. So it’s good news that the old geezer can’t seem to stop making art despite pushing 90. More colourful works from the octogenarian will go on display in London in 2026, this time at the Serpentine North, as the gallery welcomes its first ever Hockney exhibition. It’ll focus on recent works, including the celebrated Moon Room, reflecting the painter’s lifelong interest in the lunar cycle, plus several digital paintings created as part of his Sunrise series, paintings made on an iPad during a prolific period in spring 2020 when Britain was in lockdown. Also featured will be A Year in Normandy, a ninety-metre-long frieze, inspired by the Bayeux Tapestry, showing the change of seasons at the artist’s Normandy studio, displayed in the run-up to the hugely anticipated arrival of the iconic original artwork at the British Museum in autumn 2026. 
  • Art
  • Photography
  • Lambeth
Just over eight decades ago, London was ablaze, suffering from nightly bombardments during WWII. And its artists were inspired as well as terrified by seeing their city transform into a strange, damaged new place. This Imperial War Museum exhibition sees 1940s London through their eyes, combining 45 artworks with photos, objects, and oral testimonies from people who lived through the time.  Artists including Edward Ardizzione, Evelyn Dunbar, and Bernard Hailstone charted the mass movement of people, the rescue efforts, and the sight of the city burning at night. Many of the images were commissioned by the British government’s War Artists’ Advisory Committee, which was officially designed to create a record of the war, but ended up nurturing a whole new generation of British painters.
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  • Art
  • Painting
  • Millbank
Tate Britain is hosting the first major solo show dedicated to the Turner Prize-nominated Hurvin Anderson this spring, bringing together more than 60 of his vibrant paintings. Born in Birmingham to Jamaican parents, Anderson’s work flits between the two regions, exploring his struggle with belonging and cultural identity. His colour-drenched landscapes and interiors are uniquely composed to exquisitely explore markers of identity.
  • Museums
  • Euston
The Wellcome Collection’s big spring exhibition is a deep dive into perceptions of ageing. Expect the Euston Road institution’s typical blend of art, science and pop culture in the 120+ artworks and objects on display, which range from16th century woodcuts made by German printmaker Sebald Beham to Deborah Roberts’ contemporary collages exploring Black childhood. There’ll also be a spotlight on the Wellcome Trust-funded health research project Age of Wonder – one of the largest studies of adoloscence in the world – and an exploration of how societies can adapt to improve everyone’s experience of ageing.

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