Things to do in Melbourne this week

Step into a garden of ideas at the Potter Museum of Art, where three familiar figures from nature – a velvet ant, a flower and a bird – will encourage you to rethink what intelligence really means.  A velvet ant, a flower, and a bird is a new exhibition curated by the internationally renowned curator Chus Martínez that draws on works from the University of Melbourne's art, biology and classics collections, alongside contemporary commissions and performances, to propose a radical rethinking of how knowledge is made and distributed across species and materials.  Structured around the velvet ant, the flower and the bird, each 'being' carries a symbolism: the velvet ant, inspired by recent scientific research into its light-absorbing body, represents radical adaptation and material intelligence; the flower is there to embody renewal and creative transformation; and the bird, drawing on studies of flocking behaviour, points to the power of collective intelligence. Historic artefacts and contemporary artworks sit side by side, forgoing the usual exhibition hierarchies between disciplines, objects and media. Visitors to the exhibit will move through an environment and let their imagination take the lead. Rather than presenting knowledge as fixed or linear, Martínez invites audiences to think relationally – to consider intelligence as something shared across living systems, environments and technologies. The exhibition features work by a wide-ranging group of Australian and...

From Cleopatra and Mark Antony's empire-toppling romance to Romeo and Juliet's family-defying affair, love has often been an act of rebellion. Rebel Heart: Love Letters and Other Declarations takes matters of the heart seriously in this sweeping, immersive new exhibition at the State Library, drawing on its extraordinary archives to trace how people have dared to love across centuries of Australian history. The exhibition runs for almost a year and brings together handwritten letters, private diaries, rare manuscripts and deeply personal objects to weave a tapestry of passion, heartbreak and devotion. You’ll encounter Victorian-era same-sex couples living together against the odds, a mid-century interracial marriage that challenged the White Australia policy, and the prison romance between bushrangers Captain Moonlight and James Nesbitt. Fragile keepsakes are also featured in the show, including a haunting 1853 mourning brooch woven from lovers’ hair, alongside letters that read like a late-night confessional. What makes Rebel Heart especially distinctive is how it bridges the past with the present. Historical stories are amplified by newly commissioned music from Australian artists Angie McMahon, Mindy Meng Wang, Mo’Ju and Amos Roach, each responding to real love stories held in the library’s collection.  The exhibition also explores how rebellion and romance play out today – from DMs and fandoms to fan fiction and even AI relationships. It’s set to be a smart,...

Broadway smash-hit musical Waitress is making its Melbourne (and Australian) debut in 2026, blending sweetness, sass and soulful songs in one heartwarming show. The Tony-nominated production is set to premiere at Her Majesty's Theatre in May 2026 for an exciting, month-long run.  As one of the world’s newer Broadway sensations, Waitress made its debut in New York in 2016, where it ran for four years. Based on the late Adrienne Shelly’s cult 2007 indie flick of the same name, the musical has been whipped into a moving tale of self-liberation against the odds. The show is brought to life by a trailblazing, female-led creative team, featuring a book by acclaimed screenwriter Jessie Nelson, an uplifting score by Grammy winner Sara Bareilles (including the showstopper anthem, ‘She Used to Be Mine’), and direction by Tony winner Diane Paulus. “It’s been a dream of mine to see Waitress (finally) find its way to Australia,” said Sara Bareilles. “This story is about dreams, friendship and the courage needed to learn to love oneself, which feels so universal and so timely.” As the name suggests, the story follows Jenna, a small-town waitress and seasoned pie maker who dreams of escaping her rocky marriage and starting fresh. When a baking contest and an unexpected new romance give her a taste of change, Jenna discovers that the secret ingredient to happiness might be closer than she thought. The Australian premiere of Waitress has been years in the baking – and we’re ready to have...

Ever wanted to soar above a rainforest canopy or wander beneath the frozen surface of the polar seas? Melbourne Museum invites you to do just that with Our Wondrous Planet, a breathtaking, immersive exhibition celebrating the interconnected magic of life on Earth. Spanning reef, rainforest, ice and soil, this multisensory experience drops visitors into the planet’s most vital ecosystems. Room-sized projections, interactive moments and storytelling bring the natural world to life. More than 800 remarkable animals from across the globe take centre stage, appearing in environments that pulse, swirl and shimmer. Witness the beginnings of a coral reef, come face-to-face with rainforest icons, glide through icy waters and explore hidden root networks and organisms working quietly beneath our feet. The exhibition is anchored by distinct spaces: Our Family, showcasing animals from the much-loved Wild gallery and exploring the human place in the tree of life; Our Roots, a reflective First Peoples-led space centred on care, reciprocity and connection to Country; and Our Moment, an interactive zone encouraging visitors to work together on the planet’s biggest challenges. What sets Our Wondrous Planet apart is its blend of First Peoples and scientific knowledge, showing how everything on Earth is connected and how small human actions can make a difference. Family-friendly, visually spectacular and thought-provoking, this exhibition entertains while leaving plenty to reflect on. Our...

From Raphael’s 'Madonna and Child' to Louise Bourgeois’ 'Maman', the maternal bond has long been one of art’s most enduring subjects. And now, a new exhibition at the NGV, Mother: Stories from the NGV Collection, puts motherhood firmly in the frame, bringing together more than 200 historical and contemporary works to examine how the experience of being, becoming and relating to motherhood has been imagined across cultures, generations and media. Running from March 27 to July 12, 2026, at the NGV's Ian Potter Centre, Mother will span painting, sculpture, photography, weaving, decorative arts and moving image, moving beyond sentimental tropes to grapple with the realities and contradictions of motherhood – warts and all. Themes range from societal expectations and invisible labour to mythology, religion and the deep connections between motherhood, nature and Country for First Nations communities. A standout from the exhibit is Ruth O’Leary’s 'Flinders Street, 2017', created after the birth of her first child, in which a public photobooth becomes a makeshift studio: a poignant meditation on care and the blurred boundaries between public and private life. Other highlights include two new acquisitions by David Hockney, a moving image work by Hayley Millar Baker and a towering sculpture from 1893 by Betram Mackennal. The exhibition features works by an expansive roster of artists, including Louise Bourgeois, Tracey Emin, Camille Henrot, David Hockney, Tracey Moffatt, Iluwanti...

Remember when we collectively discovered just how obsessed men were with the Roman Empire? Consider this your warning: a major, Melbourne-exclusive exhibition is officially bringing Ancient Rome to Melbourne Museum in April 2026.  Rome: Empire, Power, People is a large-scale exhibition developed by Museums Victoria in collaboration with Italian partners, drawing on extraordinary loans from the Museo Nazionale Romano and the Museo Archeologico Nazionale di Firenze. More than 150 original objects dating from the 1st to 3rd centuries CE will be on display from April 1 to October 25, 2026 – all shown in Australia for the very first time. You can expect original statues, mosaics, frescoes, jewellery and everyday artefacts that trace Rome’s story from the fallout of Julius Caesar’s assassination through the rise of the Empire and its eventual collapse. The exhibition will foreground the lived experience of being an ancient Roman – think experiencing the theatrics of the gladiator arena, the hustle and bustle of marketplaces, domestic life inside Roman homes, and the luxury and politics that shaped the Eternal City. Immersive scenography and multimedia elements will also be used to transport Melburnians through imperial splendour and ordinary life, revealing how Roman ideas of power, governance and spectacle continue to shape the modern world. Beyond the gallery, the Roman theme is taking over the whole museum. Expect Italian-inspired food and drink offerings, exclusive...

Traversing time and space, Wurrdha Marra is an ongoing exhibition celebrating the diversity of First Nations art and design. Since late 2023, the ground floor and foyer of the Ian Potter Centre: NGV Australia has become home to a dynamic and ever-changing exhibition space that displays masterpieces and never-before-shown works from the NGV’s First Nations collection. Translating to ‘many mobs’ in the Wurundjeri Woi Wurrung language, Wurrdha Marra showcases pieces from emerging and established artists from across Australia, including Tony Abert, Treahna Hamn, Kent Morris, Marlene Gilson, Rover Thomas, Christian Thompson, Gary Lee, Nicole Monks, Gali Yalkarriwuy, Dhambit Mungunggurr, Nonggirrnga Marawili and more.  Highlights of the free exhibition include a large-scale installation of fish traps produced by Burrara women from Maningrida – the objects have been crafted over weeks using vines from the bush. Also on display is a new collection of contemporary resin boomerangs by Keemon Williams, a First Nations queer artist hailing from Meanjin/Brisbane. Another unseen work is titled History Repeats by Girramay/Yidinji/Kuku Yalanji contemporary artist Tony Albert, who has used mass-produced objects – from tea towels to ashtrays – to reframe Indigenous histories.  More recently, the exhibition has been updated to include the largest-ever display of the NGV's expansive collection of bark paintings. Bark Salon subverts the traditional European salons of the 18th and 19th...

For the First Peoples of so-called Australia, the term ‘Country’ describes much more than simply a place or nation. Instead, it describes a deep connection to land, animals and plants, ancestors, language, culture and the wisdom of the land itself. Relationships to Country are individual and dinstinct, but always grounded in mutual respect. A new installation within Melbourne Museum called Biik Milboo Dhumba – Country is Always Talking encourages visitors to consider what it means to listen to Country. As you enter the tranquil space of the museum’s living Forest Gallery, you’ll encounter portraits of Elders and community members of the Eastern Kulin Nations. Use your phone to listen to their stories, detailing their unique and personal relationships to Country. Wander among the tall trees as you learn about cultural practices including scarring trees, seed collecting and cultural burning. A towering new sculpture by artist Robert Young provides the perfect place to stop and reflect on your journey. In the words of senior Elder N’Arweet Dr Carolyn Briggs: “‘We have to sit with Country and understand how it talks to us. The landscape informs us if we learn to see and hear it.” This installation is now open and access is included with museum entry. You can find out more at the Melbourne Museum website. Want more? Check out the best art and exhibitions happening in Melbourne this month.

Despite the Holocaust occurring halfway across the globe 80 years ago, its lessons continue to be crucially important to Australians today. Melbourne Holocaust Museum’s Hidden: Seven Children Saved exhibition is focused on educating Melburnians on the Holocaust experiences of seven (now-local) children, to inspire greater understanding of these vital lessons. Interactive displays show visitors what it would have been like for a child to hide in such a volatile time, and how acts of kindness from the community made all the difference. Replica rooms, mini towns, soundscapes, moving images and projections make it an interesting and educational display for families (with kids ten years plus) to visit during the school holidays. The immersive storytelling of the exhibition is so powerful that it won the esteemed Victorian Museums and Galleries Award and the Social Impact Award from the Australian Museums and Galleries Association in 2024. You can find the Melbourne Holocaust Museum in the vibrant suburb of Elsternwick, just 15 minutes from Flinders Street Station. Child and concession tickets are just $10, and adults $12. Book yours here.

One of the world’s oldest garments is getting the spotlight treatment in The Offbeat Sari, a major international exhibition making its Australian debut at Bunjil Place this autumn. Travelling from London’s Design Museum, the exhibition curated by Priya Khanchandani reimagines the sari as an adaptable and politically charged garment in contemporary India. Bringing together 54 trailblazing saris by leading designers and emerging studios, the The Offbeat Sari argues that the garment is undergoing one of the most rapid periods of reinvention in its 5,000-year-old history. Running from 21 March until the end of August, the exhibition unfolds across three thematic sections. 'Transformations' will highlight experimental approaches to drape and silhouette, from distressed denim saris to sequins cut from hospital X-ray film, alongside videos documenting regional draping styles across India. 'Identity' and 'Resistance' will examine how the sari has been used to express gender, class and activism, featuring garments worn in protest movements and by artists challenging social norms. While 'New Materialities' will dive into textile innovation, from ultra-fine stainless-steel saris to sculptural couture made from high-impact foiled jersey. The show will feature everyday street style – think saris worn with sneakers – to high-end fashion by designers including Abraham and Thakore, Raw Mango and NorBlackNorWhite, alongside red-carpet creations by Sabyasachi, Tarun Tahiliani and Anamika...